The exhibition showcases the use of computational and digital technologies in literary production in the networked world and its material connections with 20th-century technologized approaches to literature like futurism, concretism, creationism, stridentism, magical realism, and others. By bringing purposefully together a collection of print and electronic works in the single space of a gallery, NL||LE takes on a media archaeological perspective to create a “space of action for constructed attempts to connect what is separated,” in Siegfried Zielinski’s words. NL||LE asks questions that highlight unconventional literary relationships like the look or the handling of the works as objects. The exhibit intervenes in the temporality of the works it brings together. NL||LE brings forth the historical dimension of its collection by incorporating vintage computers in the exhibit, next to mobile devices, and print materials from CCA Libraries’ collections. While undeniably each one of the print and electronic pie…